LP - Michna - Thousand Thursday - Red Vinyl
CD - Michna - Thousand Thursday
"Are we all tired of the "[Artist] Returns After [Number] Years in
Obscurity" headline yet? Because Michna sure is. Nearly seven years
following the NYC DJ/producer's debut album for Ghostly, Magic Monday,
he's finished the official follow up to that record, but Adrian Yin
Michna doesn't want to overstate what happened in the interim. "Life
just moves," he starts casually, "there's been a lot going on." DJ gigs,
music production for video games and commercials, and film scoring have
kept him busy, along with a healthy balance of painting, biking, and
other non-musical endeavors. In light of Michna's sophomore LP, Thousand
Thursday, though, it all seems beside the point. Simply put, his latest
record is a celebration of the producer's love for vibrant electronic
music, bothering very little with conceptual or contextual baggage.
And yet, in many ways, Thousand Thursday effortlessly streamlines
Michna's life and cultural background into affable dancefloor sounds.
"My dad is from Ealing in West London," he shares, "and that's been a
huge direct musical influence my whole life, especially when I was a
teen and spent some time in London in the mid-'90s." You can easily
hear that much in the ravey breakbeats and horn stabs that sneak into
synthy tracks like "Cherry 2000" and "Time Will Tell", or even the vibe
of rain-soaked streets that permeates Thousand Thursday. Then there's
the artist's enduring love for classic house, disco, and hip-hop, which
is more obvious. "Nuroq Legacy" effortlessly brings all of these
influences into one lively, eclectic dance track, but the wistful
"Increasing Ambition" is pure neon Italo and Michna's unclassifiable
brand of of hip-hop has never sounded better than on "She Exists In My
Mind".
Perhaps less apparent is how the industrial tapes from Michna's
childhood played a role in creating these 10 spirited tracks. "I started
re-listening to them primarily just to hear how they flip samples," he
elaborates, and the technique is used all over Thousand Thursday. It
lends the music an added bit of personal history and what Michna calls
"subliminal messages," as he borrows from years and years worth of field
recordings—including bits of "Blackberry video, Flip camera tour
footage, terrible interviews with friends, people on the street, and
found sounds galore." Rifle through the slow-grooving robo-beats on
"Believe In It Pt. II", or "Jace the Mind Sculptor"'s densely textural
ambient drift, and you'll uncover layer upon chopped up layer of these
lovingly curated snippets. There seems to be a tapestry of life's
strange, beautiful, and unexpected moments woven into Thousand Thursday
For all of its varying influences and reference points, Thousand
Thursday is actually a strong cohesive listen; each of Michna's
productions flow seamlessly into the next. This is an album where NYC/LA
dance-pop vocalist MNDR can deliver her chilly falsetto next to a
lifelong gearhead twiddling the knobs of his Akai S950, Korg MS20,
Emu SP1200, and other coveted hardware. Thousand Thursday is the sound
of Michna re-discovering his passion for writing tunes and crafting an
album, and whether he likes it or not, it all tells us a bit about where
his mind has been during the years of his process." - Ghostly
International
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